Jackson’s images are acts of deception, imitation, provocation, proving that we cannot trust our own eyes when it comes to photography.
But perhaps her fabrications also represent a deeper, even more radical truth: as they grapple with the fraught relationship between the private and the public, they invariably reflect the longings and illusions of their audience.
Sometimes hyperreal, obscene, or titillating, these photographic parodies are always entertaining and humorous.